As a researcher, I’m concerned with the entanglements between practices of looking and speech acts. More specifically, I’m interested in how certain conceptual and aesthetic assemblages (styles) are imbued with various values (economic, political, ethical) in the illustration industry.
The (Im)Posture is a bi-monthly newsletter about creativity and capitalism.
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Some themes covered by previous essays are
AI and illustration
the possibility of owning a colour
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︎︎︎ The illustrations
︎︎︎ The research